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TDI+Transnational Decolonial Institute

The Transnational Decolonial Institute (TDI) aims to explore the formation and transformation of the darker side of modernity: coloniality

Author: Alanna Lockward

Alanna Lockward (PhD) is a Research Professor at the Center of Caribbean Studies, Pontificia Universidad Católica Madre y Maestra (PUCMM). She received her PhD from Humboldt University Berlin for her thesis on the Black Theology of Liberation of the African Methodist Episcopal Church (AME), following degrees in Art in Context at the University of the Arts Berlin, and Communications Science at Universidad Autónoma Metropolitana-Xochimilco, Mexico City. She has been a guest lecturer at the Decolonial Summer School Middelburg and Dutch Art Institute, the Netherlands; Malmö Art Academy, Sweden; University of the Arts, Humboldt University and Transart Institute, Berlin. In 2016 she premiered hers first documentary film, "Allen Report. Retracing Transnational African Methodism "(FONPROCINE 2013), later nominated for the La Silla Awards (2017). This was the first Dominican film invited to the prestigious 24th New York African Film Festival (2017). Lockward is the founding director of Art Labour Archives, an exceptional platform centered on theory, political activism and art. Her interests are Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Black feminism and womanist ethics. Lockward is the author of Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe (Cendeac, 2006), a collection of essays, the short novel Marassá and the Nothigness (Partridge Africa 2016) and Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014), a compilation of her investigative work on the history and current challenges between both island-nations (Santuario 2014). Lockward is the editor of BE.BOP 2102-2014. El cuerpo en el continente de la conciencia Negra (Ediciones del Signo 2016), included in the series “El Desprendimiento” initiated and edited by Walter Mignolo since 2004. alannalockward(at)yahoo.com

BE.BOP 2018. COALITIONS FACING WHITE INNOCENCE

Posted on July 24, 2018July 24, 2018 by Alanna Lockward

  The fifth edition of BE.BOP 2018. BLACK EUROPE BODY POLITICS. COALITIONS FACING WHITE INNOCENCE tackles once again central questions… Read more BE.BOP 2018. COALITIONS FACING WHITE INNOCENCE

BE.BOP 2013. DECOLONIZING THE “COLD” WAR

Posted on August 30, 2013July 24, 2018 by Alanna Lockward

  After its outstanding debut last year, this second  edition of the series BLACK EUROPE BODY POLITICS was expanded with… Read more BE.BOP 2013. DECOLONIZING THE “COLD” WAR

DECOLONIAL SUMMER SCHOOL MIDDELBURG

Posted on August 30, 2013March 16, 2014 by Alanna Lockward

.                 2014 Decolonial Summer School Middelburg In 2010 the Decolonial Summer School Middelburg was… Read more DECOLONIAL SUMMER SCHOOL MIDDELBURG

CENTER FOR GLOBAL STUDIES AND THE HUMANITIES

Posted on August 30, 2013August 31, 2013 by Alanna Lockward

+DECOLONIAL AESTHETICS WORKSHOP: May 4–6, 2011. Center for Global Studies and the Humanities, Duke University. EXHIBITION: May 4–June 5, 2011.… Read more CENTER FOR GLOBAL STUDIES AND THE HUMANITIES

Blogroll

  • Art Labour Archives
  • Calle 14 Revista
  • Caribbean Philosophical Association
  • Center for Global Studies and the Humanities
  • Centro de Estudios y Actualización en Pensamiento Político, Decolonialidad e Interculturalidad (CEAPEDI)
  • Colonial / Postcolonial / Decolonial Working Group
  • Decolonial Summer School Middelburg
  • Doctorado de Estudios Culturales Latinoamericanos
  • European Forum of World-Systems
  • Hong Kong Advanced Institute for Cross-Disciplinary Studies
  • IDEA arts+society
  • Institute for Postcolonial and Transcultural Studies (INPUTS)
  • Otros Logos
  • Transnational Institute

Hendrik Witbooi

Hendrik Witbooi, Nama Chef who wrote one of the first decolonial manifestos against German colonizers on August 4th, 1892 and was killed during the Herero-Nama War in 1905
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